Collectible Cards
I create exclusive & limited artworks for collectors from all around the world. Artworks that will beautifully decorate your interior, have value and are exceptional.
Art style
Every artist has his own handwriting, technique and direction. You can easily recognize my prints by a few of my own indicators. I divide my work into three directions which I have named as: Brush lines, In my mind and Fragment.
Brush lines, as the name suggests, is a photograph enhanced by drawing with a white brush. Once, when I started this technique in full swing, I traced back if this technique appeared somewhere historically... Probably a little yes, but in a completely different style and one-off way, but I couldn't find anything at all similar to my style of photos and lines! I am therefore the original Vzduch Jan ér Novák. I always knew I wanted to do large prints of photos with artistic depth and overlap... So for about 10 years I just took photos, printed and got better. But I wanted to give it much more, more uniqueness! Something nobody else is doing! One day I thought I'd start painting stories into my photos. I did that for a year or so, and I found that the added artwork was too eye-catching outside of the main photo, so I toned it all down to just the simple lines that are so significant to me now. Now for many years... "Brush lines" is just my way, my signature and that's how people remember me. I'm not afraid to say that in this way I'm an original! Pioneer.
In mi mind, a direction related to brush lines but spiced up with something futuristically and extra-millennialistically different... A world from a different point of view.
Fragment is a slightly different specialty. It's mostly details of the beauty of the human body, nice angles, but no nudes! Interestingly elaborate cut-outs so that the observer always has the opportunity to let his own imagination run away with him.
Production
I frame them in minimalist oak frames with a distinctive detail in the bottom right corner, a small pyramid made from a different exotic wood each time. I use best of quality museum glass and mount. Each artwork I personally printing, which means that the source data does not flow anywhere else. The printing itself is done in archival pigment quality, numbered beneath the mount and on the back, certified with a holographic seal to prevent any potential duplication. Backing on an eco-friendly paper base with neutral pH for archiving and finally the overall back of the painting with information about the limited edition with signature and certificate. Everything is perfectly sealed to ensure your artwork lasts at least 150 years, if not much longer! A beautiful minimalist combination of wood, glass, and paper, nothing more. A work of art polished from A to Z.